The 2015-2016 season marks Kenn McLaughlin’s tenth season as Stages' artistic leader, following five successful years as the theatre’s Managing Director. Under Kenn's leadership, Stages has strengthened its commitment to sustainable innovation through projects such as producing the first American regional theatre production of Stephen Sondheim’s latest musical, Road Show; re-envisioning classics like Auntie Mame and Veronica’s Room with bold new productions; commissioning and developing a series of Panto holiday musicals for family audiences; and presenting the annual “Get Talking” series showcasing the talents of America’s most fascinating contemporary playwrights, including Aaron Posner, David Adjmi, Will Eno, Sarah Ruhl, Yasmina Reza, Philip Dawkins, Matthew Lopez, Johnna Adams, Julia Cho and Rebecca Gilman.
During his tenure at Stages, Kenn has produced more than 100 productions, including record-breaking hits like The Marvelous Wonderettes and Late Nite Catechism series; The Great American Trailer Park Musical (and its recent Christmas sequel!); and revivals of the theatre’s landmark original musical Always...Patsy Cline; as well as pivotal world and U.S. premieres such as Black Pearl Sings, An American Brat, Elizabeth Rex, five original Panto-style musicals and The Great American Trailer Park Christmas Musical. He has directed over 25 shows for Stages and has written or co-written three, and he recently returned to the stage as a performer, making his Stages acting debut in Wittenberg.
Prior to his arrival at Stages, Kenn spent eleven years at Great Lakes Theater Festival in Cleveland. At Great Lakes, Kenn helped to build the largest theatre-based education program for a performing arts institution in the state of Ohio. He directed the company’s award-winning School Residency Program and commissioned several new theatre works including Brother Can You Spare a Dime: The Social Conscience of the American Musical, The Way You Look Tonight, Straight on ‘til Morning, and a new adaptation of Lorraine Hansberry’s To Be Young, Gifted and Black. Kenn also co-founded The Wallpaper Project, an annual oral history performance program in rural Ohio.
Kenn was a three-time nominee for the Ohio governor’s award for excellence in the arts; a two-time winner of Northern Ohio Live’s award for community outreach; winner of the Ohio Historical Society’s award for excellence in history education and an arts educator of the year for Young Audiences of Greater Cleveland. Kenn has taught workshops for the Center for Literature and Medicine, part of an education cooperative between Hiram College and Northeastern Ohio University College of Medicine. He has developed extensive theatre-based curricula for students and adults and has twice presented workshops at the National Council of Teachers of English.
In Houston, Kenn has taught classes in creativity at Rice University and in directing at Sam Houston State University, as well as teaching diversity awareness to cadets at the Houston Police Academy and serving as a guest lecturer for Harris County’s Department of Education CASE program. He is chair of the stewardship committee of First Congregational Church of Houston where he has also served on the long-range planning and education committees.
Kenn began his theatre career working as an understudy in the world premieres of Horton Foote’s Dividing the Estate and Adrienne Kennedy’s Ohio State Murders starring Ruby Dee. He appeared professionally in productions including Cyrano de Bergerac, All My Sons, Angels in America and six seasons of A Christmas Carol at Great Lakes Theater Festival.
At Stages, Kenn has directed Mack and Mabel, Stupid Fucking Bird, The Search for Signs of Intelligent Life in the Universe, Pete 'n' Keely, Sexy Laundry, The Great American Trailer Park Christmas Musical, Road Show, Steel Magnolias, Panto Red Riding Hood, The Blonde, the Brunette, and the Vengeful Redhead, Four Places, Yankee Tavern, Panto Sleeping Beauty, Auntie Mame, Speech & Debate, Panto Pinocchio, Southern Rapture, Grey Gardens, Panto Cinderella, Always..Patsy Cline, Rounding Third, The Dead Guy, Castro’s Beard, Bright Ideas, The Giver, Manzi: The Adventures of Young Cesar Chavez, A Faint Cold Fear, In Dreams and About Being Eight.
Other regional directing credits include American Buffalo, A Flea in Her Ear, The Normal Heart, Romeo and Juliet, Twelfth Night, Macbeth, and the world premiere of Eric Coble’s Truth, the Testimonial of Sojourner Truth, as well as Great Lakes Theater Festival’s touring productions of The Way You Look Tonight (world premiere), and Landscape with Figures: Two Mississippi Plays.
Kenn completed the Executive Non-Profit Leaders program through the Graduate School of Business at Stanford University and holds a BFA in acting from The Theatre School, DePaul University.
Mark joins Stages Repertory Theatre as Managing Director in the 2015-16 season, expanding the executive leadership structure of the organization to increase both artistic and administrative capacities, and position the theatre for a new phase of growth and development. Mark leads Stages’ administrative functions, with a focus on fundraising, marketing and strategic planning.
Prior to joining Stages Repertory Theatre, Mark served as Senior Director, Development, for the Houston Symphony where he was second-in-command of a department of 17 responsible for raising over $16 million annually in support of operations, sustainability and endowment. Mark led individual giving efforts and raised individual donor support of the Annual Fund from $4 million in 2012 to over $6 million in 2015.
Mark has worked for a variety of performing arts organizations including Canada's National Arts Centre, the Toronto Symphony Orchestra, the College-Conservatory of Music at the University of Cincinnati, as well as Houston Grand Opera. Mark is a Certified Fund Raising Executive (CFRE) and holds Master of Arts and Master of Business Administration degrees from the University of Cincinnati. He studied theatre as an undergraduate at the University of Waterloo and the Canadian College of Performing Arts. Mark serves on the Board of Trustees of The Monarch Institute for Neurological Differences.
BOARD OF DIRECTORS
Treasurer / Chair, Finance
Chair, Strategic Planning
Jane Crowder Schmitt
Alexander Lazar, MD / PhD
Roland Maldonado, MD
Ted Swindley *
Founding Artistic Director Emeritus
* ex officio